The Open UniversitySkip to content

Eight portraits of Gelosi actors in 1589?

Katritzky, M. A. (1996). Eight portraits of Gelosi actors in 1589? Theatre Research International, 21(2) pp. 108–120.

Full text available as:
Full text not publicly available (Version of Record)
Due to publisher licensing restrictions, this file is not available for public download
DOI (Digital Object Identifier) Link:
Google Scholar: Look up in Google Scholar


The group of actors from whom the Gelosi company arose are thought to have first come together in 1568, with the amalgamation of two troupes led by the prima donnas Vincenza and Flaminia. They were already known by the name Gelosi when they toured France in 1571; by 1572 they were popular enough to be able to complain that the stanze in Genoa could only hold an audience of 150; in 1574 their performance, and that of their leading lady, Vittoria Piisimi, were the highlight of Henri III's visit to Venice, and their reputation as the foremost commedia dell'arte troupe was fully established. Porcacchi's pamphlet of 1574 notes some of the Gelosi actors of the time as Simon of Bologna, who played a facchino Bergamasco, Giulio Pasquati as the Magnifico and Rinaldo. A Mantuan decree of 5 May 1579 names as Gelosi actors Simon the Bergamasco, Orazio and Adriano the innamorati, and Gabriele their friend.

Item Type: Journal Item
Copyright Holders: 1996 International Federation for Theatre Research
ISSN: 0307-8833
Academic Unit/School: Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > English & Creative Writing
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities
Faculty of Arts and Social Sciences (FASS)
Item ID: 22356
Depositing User: M. A. Katritzky
Date Deposited: 21 Jul 2010 11:32
Last Modified: 09 Aug 2019 09:47
Share this page:


Altmetrics from Altmetric

Citations from Dimensions

Actions (login may be required)

Policies | Disclaimer

© The Open University   contact the OU