(2010). On the western reception of Indian aesthetics: the grounds of difference.
In: Sasaki, Ken-ichi ed.
Kyoto: University of Kyoto Press, pp. 210–226.
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About the book:
While the artistic traditions of the various countries of East, Southeast and South Asia display distinctive aesthetic features, this volume examines the qualities of each area, and seeks commonalities that define the aesthetics of a broader Asian civilisation. Contributors include specialists in philosophy, literature, art history, religion and the comparative study of cultures. Some of them are writing from within their own cultural traditions while others approach their subjects as outside observers.
The book is divided into five sections, dealing with Japanese, Korean, Chinese, Indian and Southeast Asian aesthetics. Individual chapters provide in-depth investigations of specific traditions, embracing both classical as well as modern aesthetic forms. The authors suggest that Japanese culture is characterised by an openness to diverse cultural influences, Korean culture by “peninsularity”, Chinese culture by parallels with the West, Indian culture by “rasa” (a kind of “cosmic” feeling that is distinct from the one who feels), and Southeast Asian culture by dilemmas of modernisation. The volume as a whole integrates these studies, clarifying essential elements of each aesthetic culture and drawing on this material to characterise an Asian civilization that transcends individual countries and cultures.
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