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Examines the Recueil Fossard woodcuts, Bavarian "Fools' Staircase" and other iconographic material that illuminates the role of the commedia dell'arte in introducing professional actresses onto the previously all-male stages of Europe. (Translated from English into Swedish by Martina Odman).
|Item Type:||Journal Article|
|Copyright Holders:||1988 Not known|
|Extra Information:||Now published in Helsinki as: Tidskriften Astra Nova|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||M. A. Katritzky|
|Date Deposited:||13 Jul 2010 11:45|
|Last Modified:||05 Oct 2016 13:02|
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