The Open UniversitySkip to content
 

A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts?

Katritzky, M. A. (1988). A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? Nationalmuseum Bulletin, 12(1) pp. 37–53.

Full text available as:
Full text not publicly available (Version of Record)
Due to publisher licensing restrictions, this file is not available for public download
Click here to request a copy from the OU Author.
Google Scholar: Look up in Google Scholar

Abstract

Specialists have suggested that it may be possible to select and arrange certain of the early modern theatrical prints in Stockholm's Recueil Fossard collection into a sequence of "highlights" from a specific sixteenth-century commedia dell'arte play. Previously suggested sequences are discussed, and pictorial variants of Recueil Fossard woodcuts, notably three wellknown paintings in Stockholm (reproduced) and two little known sets of prints, one at Yale and a newly-discovered one in Oxford (reproduced), are drawn on to suggest a possible new sequence.

Item Type: Journal Item
ISSN: 0347-7835
Project Funding Details:
Funded Project NameProject IDFunding Body
Not SetNot SetBritish Academy
Not SetNot SetUniversity of London Central Research Fund Committee, Irwin Fund
Not SetNot SetNationalmuseum, Stockholm
Academic Unit/School: Faculty of Arts and Social Sciences (FASS) > Arts and Cultures > English & Creative Writing
Faculty of Arts and Social Sciences (FASS) > Arts and Cultures
Faculty of Arts and Social Sciences (FASS)
Item ID: 21584
Depositing User: M. A. Katritzky
Date Deposited: 08 Jun 2010 10:01
Last Modified: 02 May 2018 13:12
URI: http://oro.open.ac.uk/id/eprint/21584
Share this page:

Actions (login may be required)

Policies | Disclaimer

© The Open University   contact the OU