Furbank, P. N. and Owens, W. R.
|DOI (Digital Object Identifier) Link:||http://doi.org/10.1080/00138388608598434|
|Google Scholar:||Look up in Google Scholar|
Argues that Defoe's sentences (and his novels) are constructed by improvisation, and that in his writings form -- fictional form as well as syntactical form -- is almost always retrospective form. In this he goes against what might be called the 'Ciceronian' tradition in prose-writing, which attributes special value to the end of sentences,which function as a logical and rhetorical 'resolution' of all that has gone before. Defoe general outlook on life (his 'projecting' spirit, his Whiggism, his contempt for the past and tradition) may be seen as predisposing factors to his very different, 'improvisatory' notion of literary form, in which ends are not embryonically contained in beginnings. The subtle flavour of this improvisatory style is damaged when editors modernize Defoe's punctuation.
|Item Type:||Journal Article|
|Copyright Holders:||1986 Swets & Zeitlinger|
|Keywords:||English literature; sentence structure|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Jean Fone|
|Date Deposited:||21 Jul 2010 09:45|
|Last Modified:||04 Oct 2016 10:38|
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