Gupta, Suman and Katsarska, Milena
(2010).
| DOI (Digital Object Identifier) Link: | https://doi.org/10.1080/00233601003640053 |
|---|---|
| Google Scholar: | Look up in Google Scholar |
Abstract
This paper begins by observing that art from former Eastern Bloc countries which was celebrated and received official approval within the communist period tends to be neglected now. However, the role that such art played at the time was more complex than is currently presumed. By way of illustrating this, the paper first gives details of art policy during the communist period in Bulgaria, and then examines closely the reception of Zlatyu Boyadzhiev’s (19031976) highly regarded paintings in his lifetime. An account is given of the often unexpected ways in which his paintings (especially from the later period)were perceived as disturbing closelylinked aesthetic and ideological expectations, and how critics dealt with such perceptions.
| Item Type: | Article |
|---|---|
| Copyright Holders: | 2010 Taylor and Francis |
| ISSN: | 0023-3609 |
| Academic Unit/School: | Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music Faculty of Arts and Social Sciences (FASS) |
| Item ID: | 20835 |
| Depositing User: | Suman Gupta |
| Date Deposited: | 24 Mar 2010 15:38 |
| Last Modified: | 04 Oct 2016 10:35 |
| URI: | http://oro.open.ac.uk/id/eprint/20835 |
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