Hughes, Jessica
(2009).
| DOI (Digital Object Identifier) Link: | https://doi.org/10.1111/j.1467-8365.2008.00646.x |
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| Google Scholar: | Look up in Google Scholar |
Abstract
This article represents an initial exploration of how allegorical figures were made and viewed in Classical antiquity. It focuses on a well-known series of personifications which decorated a second-century CE temple complex in the heart of Rome. Previous studies of these sculpted reliefs have engaged in lively debate about which nations are represented, without ever reflecting on the processes by which the group has been designed and made. Here I replace the individual personifications back within the context of the group, and demonstrate that even the most cosmopolitan ancient viewer would found the interpretation of these images problematic. This reading is shown to have wider implications, both for how the Roman world was conceptualised in and through these images, and for the construction of social hierarchies within the city of Rome itself.
| Item Type: | Journal Item |
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| Copyright Holders: | 2009 The Association of Art Historians |
| ISSN: | 1467-8365 |
| Keywords: | personification; viewer; Rome; Hadrian; sculpture |
| Academic Unit/School: | Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music Faculty of Arts and Social Sciences (FASS) |
| Item ID: | 18486 |
| Depositing User: | Jessica Hughes |
| Date Deposited: | 23 Sep 2009 15:40 |
| Last Modified: | 09 Nov 2016 16:22 |
| URI: | http://oro.open.ac.uk/id/eprint/18486 |
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