Clayton, Martin R. L.
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|DOI (Digital Object Identifier) Link:||http://doi.org/10.1017/S0041977X00031608|
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Like many other rhythmic terms, 'free rhythm' is widely enough used to be recognized as part of the vocabulary of musicology, without ever having been convincingly studied or even denned. In general, this term and its various synonyms refer to music without metrical organization. 'Free rhythm' is an important musical phenomenon which has been largely neglected by the field of ethnomusicology. This paper discusses the deeper theoretical and methodological problems underlying this neglect.
|Item Type:||Journal Article|
|Copyright Holders:||1996 Cambridge University Press|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Martin Clayton|
|Date Deposited:||09 Jul 2009 10:46|
|Last Modified:||03 Aug 2016 07:55|
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