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My aim in this chapter is to offer some observations on the past, present and future of comparison in musicology. These comments concern the necessity of comparison, but also the profound difficulties it presents: understanding both the importance and problems of comparison is an important part of any cultural study of music. In order to introduce and to illustrate these observations, I make reference to a couple of quite different examples, both of which include an autobiographical element. The first of these concerns a particular performance event, my experience and reaction to it. The second example refers to my own research on the temporal organisation in North Indian classical music, which I published in the book Time in Indian Music (2000).
|Item Type:||Book Chapter|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Martin Clayton|
|Date Deposited:||15 Jul 2009 10:29|
|Last Modified:||04 Oct 2016 17:38|
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